In this stunning program, Van Diemen's Band and bass-baritone Andrew O’Connor perform a program of sacred and secular works from 17th Century Germany and Venice, alongside two newly commissioned works by Alice Chance and Brooke Shelley that reimagine and recontextualize this rich musical heritage. 

This gloriously expressive repertoire, characterised by rich harmonies and playful dialogue, is the perfect medium to showcase the beauty of the baritone voice.

This concert features works by Heinrich Schütz, Franz Tunder, Nicolaus Bruhns, and Dieterich Buxtehude—composers whose music explores profound themes of faith, readiness, and human vulnerability.

Connecting this music to the present day, two extraordinary Australian composers have created contemporary responses to this baroque repertoire: Brooke Shelley's Et Versa Est Victoria takes Schütz's deeply moving Fili mi, Absalom—a father's lament for his son—as its point of departure; and Alice Chance's Au Nord draws on one of the program's central works, Mein Herz ist bereit (My heart is ready), exploring the unexpected paths life presents and our courage to keep striving for the things for which we yearn.

Transformations offers audiences a meditation on how we inherit, honour, and reimagine the artistic voices of the past.

About the artists

ANDREW O'CONNOR, BASS-BARITONE

For more than a decade Perth-born Andrew O’Connor has maintained a busy freelance career encompassing opera, the concert platform, vocal chamber music, and the classroom.

Praised for his 'remarkable musicianship' (Limelight Magazine) and 'textured, fine-wine bass baritone' (ArtsHub) he appears regularly with many of Australia's leading music organisations.

Formerly a permanent member of The Song Company from 2015-2019, he is a Lay Clerk at St Mary's Cathedral, was an Associate Artist with Pacific Opera in 2019, and winner of the Royal Melbourne Philharmonic Prize in 2020. In 2022 he made his international debut with the VOCES8 Foundation and in 2023 joined the American Bach Soloists Academy in San Francisco.

In 2024 Andrew made solo debuts with the Adelaide Symphony Orchestra singing Handel's Messiah and the Melbourne Symphony Orchestra singing the world premiere of Katy Abbott's Hidden Thoughts III: Stories of Awe.

Other recent projects included the entirety of Pinchgut Opera's 2024 Season including the role of Achilla in Handel's Giulio Cesare, three projects with The Song Company as part of their 40th Anniversary Season, further touring, recording, and creative development with AVÉ – Australian Vocal Ensemble, and numerous projects with Sydney Philharmonia Choirs, Bach Akademie Australia, Salut! Baroque, Moorambilla Voices and more.

VAN DIEMEN'S BAND

Based in the wild and unspoiled island state of Lutruwita/Tasmania at the southernmost tip of Australia, ‘Australia’s Baroque supergroup’ Van Diemen’s Band breathes new life into historically-informed performance, delivering extraordinary performances across Lutruwita/Tasmania and beyond.

Founded in 2016 by violinist Julia Fredersdorff, VDB varies in size from an intimate chamber group to a larger orchestra and comprises some of the country’s most highly respected early music specialists. Always seeking to break new ground, VDB has collaborated with guest artists such as French Baroque specialist Martin Gester, Persian/Afghani musicians Ensemble Kaboul and Tasmanian mandolin player Luke Plumb.

VDB is an active concert presenter in Lutruwita/Tasmania and delivers a range of education and community engagement programs each year.

Partners

Soloist

Andrew O'Connor, bass baritone

Van Diemen's Band

Julia Fredersdorff, Artistic Director, Baroque violin, piccolo violin
Simone Slattery, Baroque violin
Katie Yap & John Ma, Baroque viola
Nigel Crocker, tenor sackbut
Brett Page, bass sackbut
Laura Vaughan, viola da gamba & violone
Simon Martyn-Ellis, theorbo
Erin Helyard, organ & harpsichord
Thomas Wilson, organ 

Commissioned works by Alice Chance and Brooke Shelley have been supported by the NSW Government through Create NSW.

Alice Chance's work was developed with the kind assistance of the Peggy Glanville-Hicks Trust's Prelude Composer in Residence program and All That We Are

INSTRUMENTS

Continuo organ by Henk Klop, Garderen, Nederland 2007
Courtesy of Cantillation & Pinchgut Opera
Italian Harpsichord by Colin Booth, UK 1999
Courtesy of Pinchgut Opera
Early Keyboards prepared by Carey Beebe

JOHANN SCHOP (c.1590-1667) Paduan à 5 in D minor 

HEINRICH SCHÜTZ (1585-1672) Fili Mi, Absalon SWV 269

BROOKE SHELLEY (b.1975) Et Versa Est Victoria 

FRANZ TUNDER (1614-1667) O Jesu Dulcissime

DIETERICH BUXTEHUDE (1637-1707) Mein Herz ist Bereit

ALICE CHANCE (b.1994) Au Nord World premiere

NICOLAUS BRUHNS (1665-1697) Der Herr Hat Seinen Stuhl

Event and ticketing details

Date & Time

St Patricks Parramatta Tue 15 September
7.00pm

Tickets

Standard Seating - Full price $65.00 + booking fee
Standard Seating - Concession $55.00 + booking fee
Student / $30 under 30 $30.00 + booking fee | Limited availability
Wheelchair / Limited Mobility Seat $55.00 + booking fee
Concession Card Holder Free

Booking Fees

Per booking Our ticketing provider, Humanitix, passes on a small booking fee to cover the cost of service and merchant fees. 100% of booking fee profits are donated to charity by Humanitix.

Location

St Patricks Cathedral, Parramatta

1 Marist Place, Parramatta NSW 2150

Get directions

Accessibility

Wheelchair Access

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